¨
Wild Side
Rises to the Occasion
Master Printer Jamie Miller at the Lower Eastside Printshop
April 15, 2010
 

ZEMELKNITS IS COMING SOON TO WWW.ANDREAZEMEL.COM

The studio is pleased to announce the arrival of ZemelKnits, a unique line of knitwear soon to be offered through the website. Keep posted for updated designs and patterns!



 
December 10th from 6-8:30
 

ALLEN PROJECTS: FROM THE MISSISSIPPI TO THE HUDSON

Group Show of Small Works

Opening Thursday, December 10th from 6-8:30
Exhibition can be viewed by appointment or Thursday-Saturday 12-6 PM
December 10-12 and December 17-19

Allen Projects
526 West 26th Street, Suite 403
Between 10th and 11th Avenues
Entrance between Robert Miller and Galerie Lelong
New York, NY 10001
Michel Allen, Director: 917-202-3206

Artists Exhibiting:
Beth Dary
Holly Crawford
Mark Crosby
Andra Egglestonv
Pinkney Herbert
Greely Myatt
Jim Napierala
Virginia Overton
Allison Smith
Mamie Tinkler
Brian Wood
Andrea Zemel



"Up Yonder" By Greely Myatt

 
June 2009
 

PAST LIFE

IN New York / Eclectic Collector / ART, ANTIQUES & STYLISH FINDS
by Alex Riviera

Late comedian George Burns once said, "I look to the future, because that's where I'm going to spend the rest of my life." Artist Andrea Zemel, however, prefers to study the past. A lover of mythology, the New York City-based painter/sculptor/furniture designer often finds inspiration in ancient cultural and literary sources. "Old myths are tales that we tell about ourselves, and there is much to be learned from the lessons that have come down to us through the ages," she says. Among her fable-influenced works is "Triad" (right, 2009, 18 in. x 55 in.), a glazed ceramic and glass triptych-on view at ILIAD-that depicts a constellation of characters from classical mythology, including Ariadne. According to the Greek tale, the daughter of King Minos uses a thread to lead her love out of a labyrinth; in "Triad," Zemel uses the thread as a metaphor for "our shared history and lineage," she notes. "It is that which relates a culture to its submerged and chaotic past." Other figures pictured are Kore, the queen of the underworld; the Bard, an archaic poet; and several members of a chorus, all encased in beehive-like, glazed ceramic and mosaic hexagons. "I like the way mosaics add texture and a timeless feel to a piece," states Zemel.?



Photo: "Triad," Bradley Joel Shew

Among artist Andrea Zemel fable-influenced works is "Triad" (above, 2009, 18 in. x 55 in.), a glazed ceramic and glass triptych-on view at ILIAD.

 
March 23, 2009
 

ANNOUNCING ANDREA'S UPCOMING TWENTY YEAR RETROSPECTIVE ANDREA ZEMEL: PATHOS, HUBRIS & ZOE

Press: Susan Bishopric
THE BISHOPRIC AGENCY
212 289 2227 or tollfree 888 694 2416
susan@susanpr.com

ON VIEW AT ILIAD…
212 East 57 Street
from May 7 to June 30


Andrea Zemel: Pathos, Hubris & Zoë:
A twenty year retrospective including
her current body of work Beehive Brain

NEW YORK March 23 – To launch its Tenth Anniversary Year in New York in its expansive, newly relocated gallery at 212 East 57 Street, ILIAD (www.iliadantik.com) will present a special exhibition of artist/owner ANDREA ZEMEL’S work in a Twenty Year Retrospective entitled Pathos, Hubris & Zoë, from May 7 to June 30.

Artist, designer, and co-founder of ILIAD, Andrea Zemel is a Wash D.C. native who has exhibited paintings, works on paper and sculpture in galleries and public institutions throughout the United States and Eastern Europe since the 1990s. Her edgy imagery and psychological narratives push at the boundaries between contemporary and historical myth making. As sculptor and furniture designer for her own spin-off company Iliad Design, she creates high end one of a kind furnishings for many of New York’s top interior designers and architects in her own atelier in Prague, CZ.

Zemel says “This show will present my current body of work in ceramic and glass which includes the series Beehive Brain and Writing on the Wall, the culmination of many years of work delving into the vocabulary of the human unconscious. The images, glyphs, triptychs and hexads of Beehive Brain draw upon narrative elements from ancient cultural and literary sources while Writing on the Wall looks to the written tradition of oracular prophecy in the language of the epics”.

Say’s ILIAD’s co-owner Adam Brown, “The work is in a category of its own. Like Andrea’s earlier material, it encompasses the idiom of depth psychology but digs deeper - amalgamating Hermetic, alchemical, and mythic imagery into a unique and holistic visual language. Like the Mysteries, the work is multifaceted and multi-layered; one can be captivated by the surface or go as deep down the rabbit hole as one would like to go. Highly intelligent and elegant, it presents like a well-articulated theorem. It is entirely contemporary yet richly archaic - but it departs from post-modernism in that it embraces the concept of art. In short, a visual expose of the perennial philosophy.

Zemel says her latest work is an expression of her infatuation with mosaic, using materials and techniques evocative of the ancient world while her imagery remains profoundly relevant for our times. The process evolved from her collaborative work making public art at the University of Pennsylvania in the late 90’s and has become the focus of her studio efforts to date.

Like her earlier works on paper, the new series employs text and visual narrative with an intense interest in what Zemel calls ‘contemporary mythologies’. “The work is richly textured and timeless in feel. It is rooted in the present, but looks to the remote past and to the archetypal in an effort to bring to light our eclipsed, “chthonic” origins that continue to shape human experience. Consistent with my earlier work, these pieces continue to blur the boundaries between sculpture, painting and literature. Like illuminated manuscripts, they are at once symbolic and decorative with a great concern for craft as a vehicle for content.”

Pathos, Hubris, & Zoë re-examines the notion of civilization, discontent, and self-realization through both an analytic and poetic lens, and draws from a catalogue of twenty years of Zemel’s work. Many of her earlier narratives employ what Brown has coined the “Promethean dialectic”, where the development and emergence of our contemporary society is profoundly marked by a perpetual cycle of noble attempts requited by unanticipated outcomes. Included in the show are pieces from her irony laden series of block prints done in the mid 90’s, Myth of Progress, which harps on the notion of American manifest destiny in an increasingly rapacious and disposable world. Also included from the same period is an installation of 16 hand-colored etchings from her edgy and burlesque Ask Twenty Questions folio.

Zemel’s current work achieves a harmonious balance in Beehive Brain by reaching for transcendent truths rooted deep within the frustration of the human condition. Key to her inspiration and included in the title of her show is Zoë, a Greek term for life used to designate the unbounded, uncontainable, and overflowing nature of the life force. The capacity to overcome cyclic nature through metamorphosis is part of the Greek religious ideal encapsulated in Zoë, and the term was integral to Greek philosophic and religious thought from Dionysian cult, to Platonic notions of transmigration of the soul, to the Gnostic movements of the inter-testamental period. In the iconography of the Bronze Age Mediterranean world, the symbol for Zoë was the bee. In Zoë, the Greek idea of eternity comes closest to a Buddhist ontology of mind.

The Zemel works on view include...





Andrea Zemel received her BFA from the University of Pennsylvania in conjunction with the Pennsylvania Academy of Fine Arts and her MFA in 1991 at Penn’s Graduate School of Fine Arts, studying painting under Neil Welliver and printmaking with Hitoshi Nakazato. Welliver’s realist formalism and Nakazato’s minimal conceptualism both had an impact on her thinking. She later spent three years on the faculty at Penn, having launched a collaborative and public art program that continues to this day. A deep interest in psychoanalysis and hermeneutics informs her work, which contains both narrative and conceptual elements. Regardless of medium, Zemel’s work maintains a concern for detail while giving authority to the physical material.

In 1999, Zemel left academia and moved to New York with her partner Adam Brown where they founded ILIAD ANTIK in the heart of Manhattan’s design district. In 2001, she launched ILIAD DESIGN and then, in 2004, she set up her current studio in Hoboken where she started work on her new ceramic and glass mosaic series.

Adam and Andrea have achieved an ambitious vision in ILIAD’s spectacular new space, “To present a tour de force in decorative and fine arts spanning more than 5000 years of the human experience. The connective thread….the freshness and exuberance of modernism.”

Andrea is particularly excited about the scale of the new space, which totals 5300 square feet, allowing ILIAD to reinvent itself with its monumental proportions while still retaining more intimate areas in the lower gallery. “Two levels offer us a new flexibility for our curatorial and artistic expression. My life as an artist and designer can be perfectly merged with my experience as an antique dealer. Adam can emerge as the inventive story-teller who weaves together objects and images from various cultures and traditions.”

The Tenth Anniversary Year in New York will include a series of themed shows at the new lLIAD gallery to showcase their period and contemporary designed furniture, as well as ancient and modern decorative and fine arts.

IF YOU GO...

Andrea Zemel: Pathos, Hubris & Zoë:
A twenty year retrospective including her current body
of work Beehive Brain and the Writing on the Wall series
ON VIEW AT ILIAD GALLERY from May 7 to June 30

ILIAD
212 East 57 Street
New York, NY 10022
Monday – Friday from 11-6, Saturday from 12 -5 and by appointment
212 935 4382
www.iliadantik.com
 


December 17, 2008
 

$999 Holiday Bazaar

Holiday party Thursday, December 18, 7-9pm
$10 entry for holiday party includes one raffle ticket

Gallery open Friday & Saturday 11-6
@ Honey Space
148 11th Ave. btw 21st & 22nd
www.honey-space.com

Honey Space is pleased to announce a public holiday party, and our biannual fundraiser. Appropriately coinciding with the current economic crisis, the exhibition will present works of art by more than 25 leading and emerging contemporary artists, priced in the range of $10- $999. Occurring in the heart of Chelsea's alternately booming and anxious commercial gallery climate, the exhibition champions the idea that exceptional art should not only be accessible to the luxury class, but rather, that it is also a humble and human mode of communication and exchange that should be available to all. We also always appreciate a good, swinging party.

To that end the holiday party will bring together all the classics: a raffle that includes wrapped presents and Christmas trees, portraits with Santa, a live steel drum reggae Christmas set, mashed-up seasonal music by DJ Ha Ha Ha, cookies and cider, and real live elves. There will also be a media table of independent music and literature, curated by Thomas Beale, director of Honey Space.

The exhibition, curated by Allison Read Smith and Thomas Beale, will feature work by: Swoon, Tom Sachs, Amy Wilson, Nils Folke Anderson, Shara Hughes, Max Schumann, Marcus Leatherdale, Matthew Cusick, Bread & Puppet, Peter Schumann, Thomas Beale, Midori Harima, Mickey Western, Adam Stanforth, Hackett, Justin Adian, Richie Lasansky, Vadis Turner, Daphane Park, John Wells, Greely Myatt, Andrea Zemel, Ben Denzer, Brian Lynch, Patrick DeGuira, Andras Borocz, Robbin Ami Silverberg, Allison Read Smith, Kevin Lay, Lopi LaRoe, Marc Awodey, and Jon Fasanelli-Cawelti.

$999
 
October 7, 2008
 

NEW WORK TO PREVIEW IN
SAN FRANCISCO

Andrea will be taking some of her new work with her to the San Francisco Fall Antique Show, where she will be installing Iliad's fine collection of antique furnishings. Her timeless contemporary mythologies in ceramic and glass from the Beehive Brain series will adorn their exquisite collection of Biedermeier and Art Deco, all of which bears influence from the Classical and Neoclassical traditions.

Democrazy Orions Dog
 
February 11, 2008
 

DEMOCRAZY TO BE PUBLISHED IN SPRING 2008 EDITION OF FLASHPOINT MAGAZINE

Democrazy

Orions Dog
Look for several of Andrea's works in the Spring 2008 edition of Flashpoint Magazine, a multi-disciplinary magazine of art and politics. You can view their upcoming web edition at www.flashpointmag.com in March. In addition to a page by page presentation of the Democrazy, a sculptural manuscript with text by Joe Brennan, one of her large ceramic and glass mosaic text pieces, Orion's Dog with text from Homer's Iliad will also be featured.
 
June 1, 2007
 

A CAGE HANGS IN BURLINGTON

The studio is pleased to announce our participation in the show Gridwork at Flynn Dog Gallery in Burlington, VT. Curated by Jane Horner, the show includes architectural work of 15 other artists from the New England region.


Cage
A CAGE HANGS IN BURLINGTON
 
January 23, 2007
 

WEEK FOR A SPECIAL VIEWING

Come join us this week for a special viewing of pieces from the Beehive Brain, Hungry Dog and Herculina series at the opening of Purspace in the heart of New York's Chelsea art district. Nine artists will be installing work in a newly renovated 19th century townhouse developed by Jeffrey de Vito. Dedicated to art, design and urban green architecture, Purspace is a unique private gallery / open studio for nine New York artists as well as an open house for two of the building's condominiums being offered for sale.


Mosiac
Week For a Special Viewing
 
January 5, 2007

HERCULINA MAKES HER NEW YORK DEBUT

The studios at www.andreazemel.com and Iliad Design are pleased to announce Herculina's opening debut! The hand-painted etching, In the Game, will be featured as part of the exhibition, Access: A Feminist Perspective. In the Game is part of an on-going collection of works on paper and mylar that feature the character Herculina.

Curated by Rhonda Schaller and Dave Jaquish, Access will present the works of 28 contemporary artists from around the country. See a preview of the mythic heroine in her first showing at the Rhonda Schaller Studio at 547 West 27th Street in Chelsea. Join us for the opening on January 20th from 3 - 5 pm.

"Andrea Zemel's beautiful hand colored etching "In The Game" is part of a series of works about the character Herculina, who Zemel created to rise up from the dust of personal history as a chronicle of woman's struggle. With a sense of poise and equanimity, Zemel transforms mundane existence to an Olympian arena; a staging platform for the transformation of soul. " - Rhonda Schaller

(read the entire press release...)


December 1, 2006

After many months of finessing,
www.andreazemel.com is finally up
and running!


We hope you enjoy viewing the catalogue. You can click on any of the thumbnails to get a full-page image description of the piece. If you want to contact the studio, you can click on the contact link or email us at studio@andreazemel.com.

Keep posted for news about our current series in progress, Beehive Brain. We will soon post a Lexicon for the site, which will include a cast of characters for the Beehive series. Adam Brown, owner of Iliad Antik and an avid student of Greek and Near Eastern myth and cult, is contributing to the writing.

We are also happy to announce that the third Herculina silkscreen, Out of the Pan, is going to press at the Lower Eastside Printshop. Master printer Jamie Miller is working on the production. We'll be sure to keep you posted as to when it is published.

Happy browsing!



September 23, 2006

www.andreazemel.com
IS COMING SOON!

Our website will host a full catalogue of images spanning from 1992-2006. You will also find essays and links to some of our favorite thinkers.
It seems a long a road, tracing the annals of this celluloid history to a debut on the intimate stage of the digital theater. We are continually amazed by the smallness of the world, for all its size, and even now remain somewhat astonished at the forum for casual democracy that the internet has become. Like what remained in Pandora’s Box, this inadvertent gift of hope we claim as our Trojan Horse and become now a voice heard in the wilderness.
Be sure you subscribe to get notification as soon as everything is up and running. We expect to be done construction by November 2006.
We want to offer our special thank s to Lindsay Brooke Richman and Frans Lenzen who designed the site.

Andrea Zemel
Adam Brown




September 23, 2006

FIRST TWO SILKSCREEN
EDITIONS OF HERCULINA
PUBLISHED

The studio is happy to announce that the first two in a series of larger format multi-color silkscreens from the Herculina series have been published. In the continuing saga, this summer’s labors, Wild Side and Rises to the Occasion were both printed as editions of 50 on Arches Cover by master printer Jamie Miller at the Lower Eastside Printshop in Manhattan and are now available for purchase by emailing studio@andreazemel.com
The Herculina series has evolved over the past 10 years and includes one-of-a-kind hand colored etchings, photo emulsion prints on mylar and now 36.5” x 29”w color silkscreens. One more silkscreen edition, Out of the Pan and Out of the Fire will be produced before the end of the year. You can view the entire series on-line in November, 2006.